Body and Story: The Ethics and Practice of Theoretical by Richard Terdiman

By Richard Terdiman

In Body and Story, Richard Terdiman explores the strain among what may appear to be essentially other ways of realizing the area: as actual fact and as illustration in language. In demonstrating the advanced courting among those modes of being, he additionally provides a brand new daring method of the matter of conflicts among irreconcilable yet both compelling theoretical rules.

Enlightenment rationalism is normally understood as conserving that phrases can meaningfully check with and seize issues within the fabric international, whereas Postmodernism famously argues that not anything exists outdoor of language. Terdiman demanding situations this fresh contrast, discovering the early seeds of Postmodern doubt within the Enlightenment, and demonstrating the obdurate resistance of fabric reality―particularly that of the body―to language even this day. construction on readings of works through 18th-century encyclopedist Denis Diderot and modern philosopher-icon Jacques Derrida, Terdiman argues that regardless of their real and profound competition, a relentless negotiation or mutual interrogation has consistently been happening among those world-views, at the same time the stability every now and then shifts to 1 aspect or the opposite. In examining those shifts he proposes a brand new version for knowing how likely unabridgeable theories legitimately coexist in our highbrow notion of the realm, and he indicates a brand new ethics for coping with this coexistence.

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Additional info for Body and Story: The Ethics and Practice of Theoretical Conflict

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See Terdiman, ‘‘On the Dialectics of Post-Dialectical Thinking,’’ 111–20. ’’11 But Modernity and, even more intransigently, Postmodernity have scanted reflection on the constraints that make the realization of freedom arduous. The tendency has privileged thought’s autonomy over its mystifying but powerful fetters. The character of criticism and theory over the past three or four decades suggests that the entire enterprise has been about difficulty: in the hermeneutic strain, the arduousness of interpretation; in the structuralist strain, the complexity of signifying relationships; in the Poststructuralist, the irreducibility of slippages, disseminations of meaning, and other instabilities that make understanding feel constantly at risk.

The Nun Who Never Was 25 With the delusive briefcase came a corpse—with the story came a body. In this sense Major Martin’s ontology differs from Suzanne Simonin’s—she never had a body to begin with. But, despite the physical carcass of the pseudo–Major Martin (which did not actually fall from a plane but was released from a British submarine off the Spanish coast), just as with Suzanne, everything in the fiction was painstakingly contrived and constructed. Legend is the espionage term for the construction of such a delusive identity and history.

In turn, all of these implicate an individual’s or a culture’s understanding of itself. Consequently for the experience and the representation of human activity, the effects of such inversions of control are profound. In La religieuse Diderot was exploring these complications as they arose in the foundational instance of language and of texts. Diderot’s novel enacts double mode of representation. One mode emerges from a world of imaginative fiction; the other implicates real people and real bodies.

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