By Chris Meyer
Книга construction movement photos with After results. 4th version with CS3 production movement images with After results. 4th variation with CS3Книги Adobe Photoshop Автор: Trish Год издания: 2008 Формат: pdf Издат.:Focal Press Страниц: 705 Размер: 23 Язык: Русский0 (голосов: zero) Оценка:4-е издание известного учебника по After results, теперь уже CS3, от Крис и Триш Мейер. Очень фундаментальный, пожалуй, самый подробный, который я когда-либо видел. Но именно учебник. DVD скачал на днях, могу выложить, если будут желающие
Read or Download Creating Motion Graphics with After Effects: Essential and Advanced Techniques PDF
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Additional info for Creating Motion Graphics with After Effects: Essential and Advanced Techniques
Frames instead of generating new ones, which will alter your perception of how fast a particular Fast Preview mode happens to be. For a fairer test, you can clear the RAM cache before previewing by turning a layer off and back on again or by using Edit > Purge > Image Caches. Here is how each of the Fast Previews modes responds when you scrub the current time indicator or the parameter values for one of the layers: Off: After Effects tries to render every frame or parameter update requested as fast as it can at the comp’s current Resolution.
24 Half Resolution Quarter Resolution Full Resolution means After Effects calculates every pixel in a composition. Half Resolution calculates only every other horizontal pixel as well as every other vertical line, resulting in only every fourth pixel being rendered – so calculations proceed up to four times as fast. 01a]. The other resolutions follow the same scheme. For example, Quarter calculates every fourth pixel and every fourth line, resulting in calculations proceeding up to 16 times as fast.
You can skip the colons and leading zeroes when you’re typing in SMPTE time code numbers. For example, 110 equals 00:00:01:10. Many traditional film editors prefer a “feet+frames” counting method, which was initially used to measure the literal physical length of film involved for a shot. Neither options are directly related to film’s typical frame rate of 24 per second: 35mm film has 16 frames per foot; 16mm film has 40 frames per foot. Odd yes, but you get used to it. The first frame in each foot is counted as 0; the frame start number parameter also offsets this count.