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To truly explore a location it pays to exploit this rather than rely on one focal length for everything 6 you shoot. Many ‘travel’ lenses will give you a wide and a long option (typically 18-200mm) so look to the extremes of this range to see how each option changes the emphasis. be QuirKy At the wide end, foreground elements will dominate and become the main subject of the photograph, whereas at the telephoto end of the lens, the foreground either disappears completely or 7 becomes less important.
The invaluable Katoh-san also acted as an interpreter, but when he wasn’t present, John had to guide her poses with sign language and gestures. “She was a lovely person to work with,” he says. ” As the years progressed, John maintained a consistent photographic style, often using traditional Japanese elements such as painted parasols, fans or rock gardens or shooting against colourful backdrops of cherry blossom or maple trees. As a result, the images have a timeless appearance, as if they could have been taken at any time in the past century.
When John began visiting Japan in the 1990s, he hired the services of a driver and guide in Kyoto: Katoh Masatoshi, referred to as Katoh-san, helped John explore Japanese culture in a way that only an insider can. com “In many ways, Japan is still a very closed society,” he says. ” After knowing him for some years, John asked Katoh-san if he could arrange for him to photograph a geisha. 95 lens a reply saying his request would be granted. He was given permission to photograph Kosen, a 15-year-old maiko who had just begun her extensive training.